Description
Amy Fay’s Music-Study in Germany from the Home Correspondence is a captivating account of her experiences as an American music student in Germany during the 19th century. Through her detailed letters, Fay takes the reader on an intimate journey that sheds light on the rigorous process of studying music in a foreign country.
From the very beginning, Fay’s writing style is captivating and engaging. Her letters are filled with personal anecdotes, vivid descriptions, and insightful observations about German society and culture. This makes it easy for the reader to connect with her and feel immersed in her experiences. Moreover, her passion for music is palpable throughout the entire book, as she describes the joy and struggles of perfecting her craft.
One of the most striking aspects of Fay’s narrative is her detailed account of the German music education system. She meticulously describes her daily routine, the structure of her classes, and the strict discipline required to excel in her studies. This provides the reader with a rare glimpse into the rigorous training that young musicians underwent during that time period. Fay’s candidness about her own challenges and frustrations adds an additional layer of authenticity to her story.
Furthermore, Fay’s interactions with prominent composers and musicians of her time are fascinating to read. From her encounter with the legendary Franz Liszt to her experiences with other renowned figures, Fay’s anecdotes offer a glimpse into the world of classical music at its peak. Her admiration and respect for these luminaries are evident in her descriptions, making these encounters all the more captivating.
However, the book isn’t solely focused on music education and famous encounters. Fay also delves into the cultural and societal differences she encountered as an American in Germany. Her observations about German customs, etiquette, and daily life provide an intriguing contrast and allow the reader to witness her personal growth and adaptation to her new environment.
However, one drawback of Music-Study in Germany is the occasional repetitiveness in Fay’s descriptions. While her attention to detail is commendable, some sections could have benefitted from more succinct editing. Additionally, her prose occasionally ventures into sentimental territory, which might not resonate with all readers.
Overall, Music-Study in Germany is a captivating read for anyone interested in music, history, and the personal journey of an aspiring musician. Amy Fay’s intimate and honest account, combined with her vivid narrative style, allows the reader to truly understand the challenges and rewards of pursuing a musical education abroad during the 19th century. Whether a music enthusiast or simply a lover of memoirs, this book is sure to leave a lasting impression.
First Page:
MUSIC STUDY IN GERMANY
[Illustration: colophon]
THE MACMILLAN COMPANY
NEW YORK BOSTON CHICAGO DALLAS ATLANTA SAN FRANCISCO
MACMILLAN & CO., LIMITED
LONDON BOMBAY CALCUTTA MELBOURNE
THE MACMILLAN CO. OF CANADA, LTD, TORONTO
MUSIC STUDY IN GERMANY
FROM
THE HOME CORRESPONDENCE OF AMY FAY
EDITED BY
MRS. FAY PEIRCE
AUTHOR OF “CO OPERATIVE HOUSEKEEPING”
“The light that never was on sea or land.”
WORDSWORTH
“Pour admirer assez il faut admirer trop, et un peu d’illusion est necessaire au bonheur.”
CHERBULIEZ
WITH A PREFATORY NOTE BY O. G. SONNECK
NEW YORK THE MACMILLAN COMPANY 1922
All rights reserved
COPYRIGHT, JANSEN, McCLURG & COMPANY 1880.
COPYRIGHT, 1896, BY THE MACMILLAN COMPANY.
Printed August, 1896; reprinted June, 1897; September, 1900; February, 1903; March, 1905; June, 1908; July, 1909; August, 1913; April, 1922.
Norwood Press: Berwick & Smith, Norwood, Mass., U. S. A.
PREFATORY NOTE.
Comparatively few books on music have enjoyed the distinction of reissue. Twenty one editions is an amazing record for a book of so narrow a subject as “Music Study in Germany.” The case of Miss Amy Fay’s volume becomes all the more unusual, if one considers that her letters were written only for home, not for a public audience and further that within twenty years from the year of first publication, her observations had become more or less obsolete… Continue reading book >>
