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HomeAll US Titles The Practice and Science of Drawing
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The Practice and Science of Drawing

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Author By Harold Speed

  • Description
Description

Description

By: Harold Speed

The Practice and Science of Drawing by Harold Speed is a comprehensive guide for anyone interested in improving their drawing skills. Speed breaks down the process of drawing into easy-to-understand principles, covering topics such as line, mass, perspective, light and shade, and composition.

One of the strengths of this book is Speed’s emphasis on the importance of practice in developing one’s drawing abilities. He provides numerous exercises and assignments to help readers hone their skills and develop a strong foundation in drawing.

Additionally, Speed’s insights into the science of drawing are both informative and enlightening. He explains the principles of perspective and light and shade in a clear and accessible manner, making it easy for readers to grasp these concepts and apply them to their own work.

Overall, The Practice and Science of Drawing is a must-read for anyone serious about improving their drawing skills. Speed’s expertise and clear instruction make this book an invaluable resource for artists of all levels.

Book Description:
THE PRACTICE & SCIENCE OF DRAWING
BY HAROLD SPEED
PREFACE
Permit me in the first place to anticipate the disappointment of any student who opens this book with the idea of finding wrinkles on how to draw faces, trees, clouds, or what not, short cuts to excellence in drawing, or any of the tricks so popular with the drawing masters of our grandmothers and still dearly loved by a large number of people. No good can come of such methods, for there are no short cuts to excellence. But help of a very practical kind it is the aim of the following pages to give; although it may be necessary to make a greater call upon the intelligence of the student than these Victorian methods attempted. It was not until some time after having passed through the course of training in two of our chief schools of art that the author got any idea of what drawing really meant.

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